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In this respect, it is possible to remind works of Antonin Artaud who is considered to be the founder of the Cruelty theatre. It is possible to estimate that the development of the Cruelty theatre was the result of World War I, which made human life absolutely insignificant. Numerous deaths and injuries made people less sensitive to the tragedy of war since death and sufferings of people became a norm, while human life became totally devaluated. Guidelines To Write A Management Essay And A Business Essay believed that the theatre should affect the audience as much as possible and the major goal of an artist was to evoke strong feelings and emotions of the audience. In his works he attempted to use violence and physical determination to shatter the false reality (Arnold, 114). He developed a unique language, which he believed could be an effective means of communication between an artist and the audience due to the unique combination of gesture and thought A. Artaud used to convey his ideas to the audience. To meet his goals, A. Artaud amply used strange and disturbing forms of sound, lighting and performance. This content has been done with Essay Freelance Writers!
In this period of time, Bertolt Brecht had started his creative work and he made a significant contribution in the development of the Epic theatre which was basically the characteristic of the mid-20th century. In fact, he started his works in the late 1910s - early 1920s but it is by the late 1930s his unique style was really shaped. At the same time, it is important to underline that the Epic theatre was, to a significant extent, influenced by the realist movement. However, unlike realist artists, Bertolt Brecht for instance attempted to go further than the plain depiction of the reality. In actuality, the major goal of the Epic theatre was to present ideas and invited the audience to make judgments on them. At Effective Papers: Essay On Presidential Election 2020 , Bertolt Brecht as a representative of Epic theatre attempted to distance from realist and in his plays it was important for the audience to remember that it was watching a play.
His characters do not represent real people but rather reflect stereotypes or archetypes, representing opposing sides, conveying ideas, while the audience should make the judgement in regard to these ideas. After the end of World War II the trends to the growing contact between the artist and the audience became stronger. In the mid-20th century Bertolt Brecht continued his work and the 1930s and the 1940s were the most prolific years in his creative work. In this period of time he creates numerous works, including “How Much is Your Iron? ” (1939), “The Duchess of Malfi” (1943), “Antogone” (1947), “The Tutor” (1950) and many others. Basically, he continued the development of his concept of the Epic theatre. At the same time, the Post-World War II period was characterized by the growing protest against the existing rigid norms and traditions that could not fail to affect the development of theatre. In fact, the 1950s - 1960s were characterized by the emergence of the new generation of artists and new trends in art.